Yesterday, I watched Metropolis, one of the most influential German silent films of all times. To be honest, I had hardly ever heard about it until recently, when an almost original version of the 1927 film was discovered in Argentina. Having seen it now, I can now understand why there’s been so much fuzz about it. With its special effects and high production cost, it must have been the equivalent of today’s Hollywood blockbusters. But more importantly, it’s a historical artifact that reflects an aspect of the modern Zeitgeist that is still with us today – the paradox of technology as progress and technology as enslavement. Continue reading
Nothing happeningSadly, I've recently neglected my blog. I'm hoping to write some posts again in the future. In the meantime, I'm sending out thoughts and ideas via twitter (@herrhorn).
- RT @Jochen: Woo-hah! 1000 Dank an die #LeadAwards für die Auszeichung als „Digital Leader“ 2018. Ich hab dann lieber noch ein paar der 200… 1 day ago
- RT @Jochen: Ab Januar habe ich einen Zweitjob: Mitglied der Chefredaktion der @DIEZEIT. Ich freue mich, bald noch enger mit den Print-Kolle… 6 days ago
- RT @holger_stark: .@DIEZEIT gewinnt mit der Enthüllung über die sexuelle Gewalt von Dieter #Wedel den Reporterpreis 2018 in der Kategorie I… 1 week ago
- @isasun Thank you, Isa! 1 week ago
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- Emerson on Manuel Castells at LSE – Mass Self-Communication
- Monika Bauer on When Jack Bauer is using a computer…
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- Why Weird Twitter | Ethnography Matters on Manuel Castells at LSE – Mass Self-Communication
- ICTs and urban life
- “My name is ___, and I’m leaving Facebook.”
- The promises and obstacles of process journalism
- Peaceful co-existence – Social networks and niche communities
- Metropolis – 83 years later and we’re still afraid of machines
- Privacy and innovation – two parts of the same story
- Extremely Green and Incredibly Remote
- Some time off
- German stereotypes – A beer glass full of precision
- Can Google Wave revitalize online debates?
herrhorn.com by Sebastian Horn is licensed under a Creative Commons Attribution 2.0 UK: England & Wales License.