Yesterday, I watched Metropolis, one of the most influential German silent films of all times. To be honest, I had hardly ever heard about it until recently, when an almost original version of the 1927 film was discovered in Argentina. Having seen it now, I can now understand why there’s been so much fuzz about it. With its special effects and high production cost, it must have been the equivalent of today’s Hollywood blockbusters. But more importantly, it’s a historical artifact that reflects an aspect of the modern Zeitgeist that is still with us today – the paradox of technology as progress and technology as enslavement. Continue reading
Nothing happeningSadly, I've recently neglected my blog. I'm hoping to write some posts again in the future. In the meantime, I'm sending out thoughts and ideas via twitter (@herrhorn).
- RT @harryfk: Can anyone recommend backend agencies/studios in Berlin/DE/EU? Should be into agile methods and understand frontend/design con… 4 days ago
- RT @gijn: What the German parliament debated, where the rent burden was highest, & how many people left East Germany: These are just some o… 1 week ago
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- RT @stuemic: Kenne ich jemanden der jemanden kennt? Kann das Team nur empfehlen zeit-verlagsgruppe.softgarden.io/job/5753590?l=… 1 week ago
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- Selfies and Mass Communication – Visual Culture in CEID100 on Manuel Castells at LSE – Mass Self-Communication
- Emerson on Manuel Castells at LSE – Mass Self-Communication
- Monika Bauer on When Jack Bauer is using a computer…
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- ICTs and urban life
- “My name is ___, and I’m leaving Facebook.”
- The promises and obstacles of process journalism
- Peaceful co-existence – Social networks and niche communities
- Metropolis – 83 years later and we’re still afraid of machines
- Privacy and innovation – two parts of the same story
- Extremely Green and Incredibly Remote
- Some time off
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- Can Google Wave revitalize online debates?
herrhorn.com by Sebastian Horn is licensed under a Creative Commons Attribution 2.0 UK: England & Wales License.